Tierra audio - Salt Flavour Preamp

Simply plug in your favourite microphone and start singing or playing your instrument: You'll be amazed at your """"new sound""""!

Thanks to the wide range of flavours offered, you can enjoy different gain levels, from an enhanced and crystalline sound to different types and intensities of """"sonic flavours"""" specially designed to bring a unique character, always without losing a drop of musicality. You will get warmer nuances and sounds, others sharper or hotter, others denser, others more saturated, others with more definition, more grain, or even more crunchy.

Like all our products, the Flavours Preamps are handmade with tons of love in Madrid (Spain), with circuits and electronic components of the highest quality.

These products result from the joint effort of engineers, musicians, designers, and producers to provide a full range of """"portable flavours"""" that will enrich and nuance the sound of your microphones.

Each of these seven microphone preamplifiers works thanks to the phantom power (48V) of your audio interface or your mixing console, returning the boosted signal from your microphone. This will improve the ability of your audio interface to pick up and manipulate the sound with the highest quality, solving some of the noise problems you may be experiencing with your microphone, and allowing you to use longer cables and providing an extra dose of colour depending on the flavour you have chosen.

Your creativity will rule as you record voices and instruments of all kinds!

When the flavour you already have in a dish is 100% what you are looking for, but you would like to enhance it, what do you use? A pinch of salt, exactly!

Salt is our most neutral and transparent flavour, that is, without adding a speck of flavour, colour, or distortion to your sound.

This preamp is perfect for use with your Shure SM7B microphone without adding colour, or your favorite passive ribbon microphones, protecting them from the possible adverse effects of phantom power and preserving all the original nuances while amplifying the weak signal usually generated by this type of mics so that you have no noise at the input of your audio interface when trying to compensate for that low signal.