Allen&Heath - Qu-32
Allen&Heath - Qu-32
Allen&Heath - Qu-32
Allen&Heath - Qu-32
Allen&Heath - Qu-32
Allen&Heath - Qu-32
Allen&Heath - Qu-32
Allen&Heath - Qu-32
Allen&Heath - Qu-32
Allen&Heath - Qu-32

Allen & Heath - Qu-32

Prix FFWD 2 600 €
ALLENH630I
Disponible rapidement
Disponible rapidement

Prix recommandé 3 197 € Économisez 597 €

Réglez de manière sûre et sécurisée par Ingenico ou virement bancaire
Réglez de manière sûre et sécurisée par Ingenico ou virement bancaire

 

 

With its responsive touchscreen, 33 motor faders and acclaimed AnalogiQTM recallable preamps, Qu-32 combines exceptional ease of use with class-leading audio performance.

Drawing on the technologies and workflow pioneered on our GLD and iLive touring systems, Qu makes Allen & Heath digital mixing more accessible than ever.

 

ANALOGIQTM PREAMPS

Our AnalogiQ total recall preamps feature zero crossing detection and an advanced padless 1dB step gain stage, closely allied to the DSP for optimal gain accuracy and audio transparency. The analogue signal is captured by high class, low latency 24bit analogue to digital converters matched to high quality 24bit digital to analogue converters to deliver the required outputs. The AnalogiQ design has been refined to offer superb transparency, minimal distortion and an ultra-low noise floor, with a warm, musical sound that is missing from some digital consoles.

 

THE MIXING EXPERIENCE

Having massive processing power and advanced functionality is great, but it counts for nothing if you can't access the controls you need in a heartbeat. Once you start using a Qu you'll sense the years of research into ergonomics and the hands-on mixing experience that our team has drawn upon to deliver a   wonderfully natural layout and workflow. It's not about recreating an analogue interface, it's about creating an experience that's fluid, comfortable and intuitive for novices, digital natives and old school road warriors alike, making all the benefits of digital mixing technology readily accessible to all.

 

TOUCH CONTROL

Qu-32's 7 inch, 800 x 480, sixteen million colour Touchscreen and its dedicated data encoder form the heart of the Qu interface, providing super-fast, easy access to all settings. The user-friendly interface has been designed with clarity in mind. Dedicated keys and screen tabs quickly guide you to meter and RTA views, FX racks, channel processing, USB audio control, scenes, setup menus and much more.

 

THE SUPERSTRIP

All your key processing tools are presented in a clean layout on the SuperStrip, with 1 function per physical control. The SuperStrip is complemented by an onscreen Touch Channel for intuitive access to full processing parameters without clutter or complex menu structures. Processing for Mono and Stereo inputs includes trim, polarity, HPF, gate, insert, 4 band PEQ, compressor and delay. The main LR and the Mono mixes have controls for Insert, 1/3 octave GEQ, compressor and delay. The Stereo mixes provide Insert, 4-band PEQ, compressor, delay and balance control.

 

FADER AUTOMATION

Moving faders started as an expensive option in the studio desks of the 80s, and later became the norm with the advent of digital technology. Nevertheless some entry-level digital mixers lack this precious commodity which is a fundamental part of the Total Recall approach. Fader automation is essential for rapid mixing, especially when you're dealing with multiple monitor mixes - just press a mix key and the faders immediately fly to the send levels for that mix.
Qu-16, Qu-24 and Qu-32 feature 16, 24 and 32 motorized ALPS faders respectively, arranged over 2 layers, allowing instant access to all channels and masters in a compact space, plus a dedicated master fader which dynamically follows the mix selection. A third, Custom layer is available for ad-hoc user strip layout, where any combination of Inputs, FX Sends, FX Returns, Mix masters and MIDI strips can be assigned.

Inputs
Mic/Line Inputs Balanced, XLR and 1/4" TRS jack, fully recallable
Input Sensitivity (XLR / TRS) -60 to +5dBu / -50 to +15dBu
Analogue Gain -5 to +60dB, 1dB steps
Maximum Input Level (XLR / TRS) +19dBu / +29dBu
Input Impedance (XLR / TRS) >5kΩ / >10 kΩ
THD+N, Unity gain 0dB 0.0005% -89 dBu
(20-20kHz, Direct Out @0dBu 1kHz)
THD+N, Mid gain +30dB 0.001% -83dBu
(20-20kHz, Direct Out @0dBu 1kHz)
Stereo Line Inputs
ST1, ST2 connector Balanced, 1/4" TRS jack, half normalled
ST3 connector Unbalanced, stereo 3.5mm Mini Jack
Input Sensitivity (ST1, ST2 / ST3) Nominal +4dBu / 0dBu
Trim +/-24dB
Maximum Input Level (ST1,ST2 / ST3) +22dBu / +18dBu
Input Impedance >7kΩ
Outputs
Mix1-10 and LR Out Balanced, XLR
Group and Matrix Out
Output Impedance <75Ω
Nominal Output +4dBu = 0dB meter reading
Maximum Output Level +22dBu
Residual Output Noise -90 dBu (muted, 20-20kHz)
Stereo Alt Out & 2Trk Out Balanced, 1/4" TRS jack
Source (Alt Output / 2Trk Output) Patchable / LR post-fade
Output Impedance <75Ω
Nominal Output +4dBu = 0dB meter reading
Maximum Output Level +22dBu
Residual Output Noise -90 dBu (muted, 20-20kHz)
AES Digital Output 2 channel, 48kHz sampling rate, XLR
2.5Vpp balanced terminated 110Ω
dSNAKE  
Inputs "Remote source for CH1-32, ST1, ST2, ST3"
Outputs Patchable from Mix1-10, LR, Grp1-8, MTX1-4
Compatible with AudioRacks AR2412, AR84, AB168
Compatible with ME personal mixing system
System Measured balanced XLR in to XLR out, 0dB gain, 0dBu input
Dynamic Range 112 dB
Frequency Response +0/-0.5dB 20Hz to 20kHz
Headroom +18dB
Internal operating Level 0dBu
dBFS Alignment "+18dBu = 0dBFS (+22dBu at XLR output)"
Meter Calibration "0dB meter = -18dBFS (+4dBu at XLR out)"
Meter Peak indication -3dBFS (+19dBu at XLR out), multi-point sensing
Meter Signal indication -48dBFS (-26dBu at XLR out)
Meter Type Fast (peak) response
Sampling Rate 48kHz +/-100PPM
ADC, DAC 24-bit Delta-Sigma
Latency 1.2 ms (local XLR in to XLR out)
0.7 ms (local XLR in to AES out)
Operating Temperature Range 0 deg C to 35 deg C (32 deg F to 95 deg F)
Mains Power 100-240V AC, 50/60Hz
Maximum Power Consumption 150W
USB Audio
Qu-Drive USB A
Stereo Record 2 channel, WAV, 48kHz, 24-bit, patchable
Stereo Playback 2 channel, WAV, 44.1 or 48kHz, 16 or 24-bit, to ST3
Multitrack Record 18 channel, WAV, 48kHz, 24-bit, patchable
Multitrack Playback 18 channel, WAV, 48kHz, 24-bit
USB Audio Streaming USB B, Core Audio compliant
Send (upstream) 32 channel, WAV, 48kHz, 24-bit
Return (downstream) 32 channel, WAV, 48kHz, 24-bit
Control
Faders 100mm motorised
Touch Screen 7" TFT, 800x480 resolution
SoftKeys 10
Mute Groups 4
DCA Groups 4
Network TCP/IP Ethernet for MIDI and iPad app
Input Processing
Source  
CH1-32 Local, dSNAKE, or USB
ST1, ST2 Local, dSNAKE, or USB
ST3 Local, dSNAKE, or USB Stereo
USB Global Source Qu-Drive or USB B Streaming
Stereo Linking Odd/even input pairs
Parameters linked "EQ, dynamics, insert, delay, assignments, sends"
Link options Preamp, polarity, sidechains, fader/mute, pan
Polarity Normal/Reverse
High Pass Filter 12dB/octave 20Hz – 2kHz
Insert Assign FX1-4 into Input channels
Delay Up to 85ms
Gate Self-key Sidechain
Threshold / Depth -72dBu to +18dBu / 0 to 60dB
Attack / Hold / Release 50us to 300ms / 10ms to 5s / 10ms to 1s
PEQ 4-Band fully parametric, 20-20kHz, +/- 15dB
Band 1 Selectable LF Shelving (Baxandall), Bell
Band 2, Band 3 Bell
Band 4 Selectable HF Shelving (Baxandall), Bell
Bell Width Non-constant Q, variable, 1.5 to 1/9th octave
Compressor Self-key Sidechain
Threshold / Ratio -46dBu to 18dBu / 1:1 to infinity
Attack / Release 300us – 300ms / 100ms - 2s
Knee Soft/Hard
Types Peak Manual, RMS Manual, SlowOpto, PunchBag
Mix Processing
Channel Direct Out to USB
Source select (global)
Follow Fader, follow Mute (global options)
Post-Preamp, Pre-EQ, Post-EQ, Post- Delay
Insert Assign FX into Mix channels
Delay Up to 170ms
GEQ "Constant 1/3 oct, 28 bands 31Hz-16kHz, +/-12dB Gain"
PEQ 4-Band fully parametric, 20-20kHz, +/- 15dB
Band 1 Selectable LF Shelving (Baxandall), Bell
Band 2, Band 3 Bell
Band 4 Selectable HF Shelving (Baxandall), Bell
Bell Width Non-constant Q, variable, 1.5 to 1/9th octave
Compressor Self-key Sidechain
Threshold / Ratio -46dBu to 18dBu / 1:1 to infinity
Attack / Release 300us – 300ms / 100ms - 2s
Knee Soft/Hard
Types Peak Manual, RMS Manual, SlowOpto, PunchBag
FX
Internal FX 4x RackFX engine, Send>Return or Inserted
Audio Tools
Types Reverbs, Delays, Gated Reverb, ADT
Chorus, Symphonic Chorus, Phaser, Flanger
4 dedicated Stereo FX returns Fader, Pan, Mute, Routing to Mix/LR, 4- Band PEQ
PAFL PFL or stereo in-place AFL, 0 to -24dB Trim, 85ms Delay
Talkback Assignable to any mix, 12dB/oct HPF
Signal Generator Assignable to any mix, Sine / White/Pink/Band-pass Noise
RTA 31-Bands 1/3 octave 20-20kHz, follows PAFL source
Dimensions & Weights (th x Depth x Height)
Desk mounted "850 x 500 x 186 mm (33.5"""" x 19.7"" x 7.4"")"
Packed in shipping box "1000 x 680 x 350 mm (39.4"" x 26.8"" x 13.8"")"
Unpacked weight 20 kg (44 lbs)
Packed weight 24 kg (53 lbs)

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