Fireface UFX+
Fireface UFX+
Fireface UFX+
Fireface UFX+
Fireface UFX+

RME - Fireface UFX+

Prix FFWD 2 400 €
RMEF54E094
Sur commande

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The Fireface UFX+ becomes the center of any multitrack studio because it is able to handle up to 94 channels I/O with ease. With unprecedented flexibility, compatibility, the inclusion of DURec (Direct USB Recording) and RME’s famous low latency hardware and driver designs, the Fireface UFX+ raises the bar to new heights.
Packed with features not found on its older sibling, including MADI I/O (188 channels of I/O, 128 channels more than the Fireface UFX), a more powerful DSP, USB 3.0, Thunderbolt™ technology, and a new optional remote control firmly places the RME Fireface UFX+ as the new reference in multitrack recording, mixing and monitoring.

You name it, you connect it

Its flexibility in connectivity and expansion is unrivalled – Analog, ADAT, MADI, AES, SPDIF. USB 2, USB 3 and Thunderbolt technology are standard on the Fireface UFX+. The UFX+ has an impressive channel count: 12 analog + 16 ADAT + 2 AES + 64 MADI = 94 channels input plus output = 188 channels in total. Thunderbolt technology gives the Fireface UFX+ real PCI Express audio ­performance under Mac and Windows, with lowest latency, lowest system overhead and lowest CPU load. The Fireface UFX+ is fully Thunderbolt technology compatible under Windows, including hot-plugging.
All new AD/DA converters, optimized analog I/O circuits, as well as improved SNR and THD values guarantee pristine, crystal clear and transparent audio. A new PAD-free mic circuit design with +18 dBu maximum input level and 75 dB gain range serves even the most critical recording situation and source trouble-free.
New low impedance Hi-Power phones outputs (2 Ohms) with +19 dBu maximum output level provide ample output power as well as volume on any phones, high or low impedance.

Comprehensive MADI Connectivity

The Fireface UFX+ opens the doors to a host of RME and 3rd party digital and analog I/O solutions. Expanding your analog channel count, the ability to route/mix within the digital domain through numerous sources presents many flexible options. Multiple external MADI devices can also be connected in series.
To further enhance MADI flexibility, the Fireface UFX+ boasts some typical RME-style features. For example in USB 2 mode, which is limited to 30 channels I/O (12 analog plus 16 ADAT plus AES), the MADI I/O is still available via RME’s integrated hardware mixer TotalMix FX. Word Clock I/O (BNC) can be switched to MADI I/O (coaxial), and a special split mode even supports the use of both MADI I/Os simultaneously, with 32 channel each on optical and coaxial.

Improved DURec (Direct USB Recording)

DURec, which is available on the front of the Fireface UFX+, now offers second generation hardware with improved USB functionality and compatibility, providing greater reliability even with slower or multi-partitioned USB thumb drives.
The maximum number of recordable channels has been raised to 76, meaning all 12 analog inputs plus 64 MADI channels can be recorded simultaneously. An internal Realtime Clock (RTC) delivers time-stamped files, and playback now includes several advanced player functions previously unavailable.
Analog
AD, Line In 1-8, rear
Resolution AD 24 bit
Signal to Noise ratio (SNR) 113 dB RMS unweighted, 116 dBA
Frequency response @ 44.1 kHz, -0.1 dB 5 Hz – 20.8 kHz
Frequency response @ 96 kHz, -0.5 dB 3 Hz – 45.8 kHz
Frequency response @ 192 kHz, -1 dB 2 Hz – 92 kHz
THD < -110 dB, < 0.00032 %
THD+N < -104 dB, < 0.00063 %
Channel separation > 110 dB
Maximum input level +19 dBu
Input 6.3 mm TRS jack, electronically balanced
Input impedance 8 kOhm unbalanced, 12 kOhm balanced
Input sensitivity switchable to Lo Gain, +4 dBu
Input level for 0 dBFS @ Lo Gain +19 dBu
Input level for 0 dBFS @ +4 dBu +13 dBu
Variable gain 0 to +12 dB
Minimum level for 0 dBFS +1 dBu, -1.2 dBV
Microphone In 9-12, front
As AD, but
Input XLR, electronically balanced
Input impedance 3.4 kOhm
Signal to Noise ratio (SNR) 115 dB RMS unweighted, 118 dBA
Gain range 75 dB
Maximum input level, Gain 0 dB +18 dBu
Maximum input level, Gain 75 dB -57 dBu
CLIP LED 0 dBFS
SIG LED -60 dBFS
Instrument In 9-12, front
As AD, but
Input 6.3 mm TS jack, unbalanced
Input impedance 1 MOhm
Signal to Noise ratio (SNR) 114 dB RMS unweighted, 118 dBA
Gain range 42 dB
Maximum input level, Gain 8 dB +21 dBu
Maximum input level, Gain 50 dB -21 dBu
DA, Line Out 3-8, rear
Resolution 24 bit
Dynamic range (DR) 115 dB RMS unweighted, 118 dBA
Frequency response @ 44.1 kHz, -0.5 dB 5 Hz – 20.8 kHz
Frequency response @ 96 kHz, -0.5 dB 5 Hz – 45 kHz
Frequency response @ 192 kHz, -1 dB 5 Hz - 89 kHz
THD < -110 dB, < 0.00032 %
THD+N < -104 dB, < 0.00063 %
Channel separation > 110 dB
Maximum output level +19 dBu
Output 6.3 mm TRS jack, servo-balanced
Output impedance 75 Ohm unbalanced, 150 Ohm balanced
Output level switchable Hi Gain, +4 dBu, -10 dBV
Output level at 0 dBFS @ Hi Gain +19 dBu
Output level at 0 dBFS @ +4 dBu +13 dBu
Output level at 0 dBFS @ -10 dBV +2 dBV
DA - Stereo Monitor Output XLR (1-2)
As DA, but
Output XLR, balanced
Output level switchable 24 dBu, Hi Gain, +4 dBu, -10 dBV
Output level at 0 dBFS @ 24 dBu +24 dBu
Output level at 0 dBFS @ Hi Gain +19 dBu
Output level at 0 dBFS @ +4 dBu +13 dBu
Output level at 0 dBFS @ -10 dBV +2 dBV
DA - Stereo Monitor Output Phones (9-12)
As DA, but
Output 2 x 6.3 mm TRS stereo jack, unbalanced
Maximum output level at 0 dBFS, High +19 dBu
Maximum output level at 0 dBFS, Low +2 dBV
Output impedance 2 Ohm
Max power per channel @ 32 Ohm load, 0.1% THD 210 mW (2.6 Vrms, +10.5 dBu)
MIDI
2 x MIDI I/O via 5-pin DIN jacks
Galvanically isolated by optocoupled input
Hi-speed mode Jitter and response time typically below 1 ms
Separate 128 byte FIFOs for input and output
1 x MIDI I/O via MADI
Invisible transmission via User bit of channel 56 (up to 48 kHz)
Invisible transmission via User bit of channel 28 (up to 96 kHz)
Digital
Clocks Internal, ADAT, AES, MADI, word clock
Low Jitter Design < 1 ns in PLL mode, all inputs
Internal clock 800 ps Jitter, Random Spread Spectrum
Jitter suppression of external clocks > 30 dB (2.4 kHz)
Effective clock jitter influence on AD and DA conversion near zero
PLL ensures zero dropout, even at more than 100 ns jitter
Digital Bitclock PLL for trouble-free varispeed ADAT operation
Supported sample rates 28 kHz up to 200 kHz
Digital Inputs
MADI
Optical via FDDI duplex SC connector
62.5/125 and 50/125 compatible
Coaxial via BNC (Word Clock input), 75 Ohm
High-sensitivity input stage ( < 0.2 Vpp)
Accepts 56 channel and 64 channel mode, plus 96k Frame
Standard up to 64 channels 24 bit 48 kHz
S/MUX up to 32 channels 24 bit 96 kHz
S/MUX4 up to 16 channels 24 bit 192 kHz
Lock range 25 kHz – 54 kHz
Jitter when synced to input signal < 1 ns
AES/EBU
1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992
High-sensitivity input stage ( < 0.3 Vpp)
SPDIF compatible (IEC 60958)
Accepts Consumer and Professional format
Lock range 27 kHz – 200 kHz
Jitter when synced to input signal < 1 ns
Jitter suppression > 30 dB (2.4 kHz)
ADAT Optical
2 x TOSLINK, format according to Alesis specification
Standard 2 x 8 channels 24 bit, up to 48 kHz
Double Speed (S/MUX) 2 x 4 channels 24 bit 96 kHz
Quad Speed (S/MUX4) 2 x 2 channels 24 bit 192 kHz
Bitclock PLL ensures perfect synchronisation even in varispeed operation
Lock range 31.5 kHz – 50 kHz
Jitter when synced to input signal < 1
SPDIF optical (ADAT2)
1 x optical, according to IEC 60958
Accepts Consumer and Professional format
Lock range 27 kHz – 200 kHz
Jitter when synced to input signal < 1 ns
Jitter suppression > 30 dB (2.4 kHz)
Word Clock
BNC
Internal termination 75 Ohm switchable
Automatic Double/Quad Speed detection and internal conversion to Single Speed
SteadyClock guarantees super low jitter synchronization even in varispeed operation
Not affected by DC-offsets within the network
Signal Adaptation Circuit signal refresh through auto-center and hysteresis
Overvoltage protection
Level range 1.0 Vpp – 5.6 Vpp
Lock Range 27 kHz – 200 kHz
Jitter when synced to input signal < 1 ns
Jitter suppression > 30 dB (2.4 kHz)
Digital Outputs
MADI
Optical via FDDI duplex SC connector
62.5/125 and 50/125 compatible
Cable length up to 2000 m
Coaxial via BNC, 75 Ohm
Output voltage 600 mVpp
Cable length up to 100 m
Generates 56 channel and 64 channel mode, plus 96k Frame
Standard up to 64 channels 24 bit 48 kHz
S/MUX / 96k Frame up to 32 channels 24 bit 96 kHz
S/MUX4 up to 16 channels 24 bit 192 kHz
AES/EBU
XLR, transformer-balanced, galvanically isolated, according to AES3-1992
Output level Professional 4.5 Vpp, Consumer 2.6 Vpp
Format Professional according to AES3-1992 Amendment 4
Format Consumer (SPDIF) according to IEC 60958
Single Wire mode, sample rate 28 kHz up to 200 kHz
ADAT
2 x TOSLINK
Standard 2 x 8 channels 24 bit, up to 48 kHz
Double Speed (S/MUX) 2 x 4 channels 24 bit 96 kHz
Quad Speed (S/MUX4) 2 x 2 channels 24 bit 192 kHz
SPDIF optical (ADAT2)
Format Consumer (SPDIF) according to IEC 60958
Sample rate 28 kHz up to 200 kHz
Word Clock
BNC
Max. output voltage 5 Vpp
Output voltage @ 75 Ohm termination 4.0 Vpp
Output impedance 10 Ohm
Frequency range 27 kHz – 200 kHz
General
Power supply Internal switching PSU, 100 - 240 V AC, 36 Watts
Idle power consumption 19 Watts
Typical power consumption 22-25 Watts
Dimensions including rack ears (WxHxD) 483 x 44 x 210 mm (19" x 1.73" x 8.5")
Dimensions without rack ears (WxHxD) 440 x 44 x 210 mm (17.3" x 1.73" x 8.3")
Total depth 240 mm (9.4”)
Weight 3 kg ( 6.6 lbs)
Temperature range +5° up to +50° Celsius (41° F up to 122°F)
Relative humidity < 75%, non condensing

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