The exclusive dark look includes a black case, a semi-weighted keyboard with reverse black and grey keys and an even more professional touch feeling. New modulation features and sounds, with a mix of pure synthesis and sampling, push Sledge further than ever before.
- Max Polyphony 24 voices
- 2 Parts
Modulation
- LFO1, LFO2 (phase synchronized), WHEEL (for Mod wheel and Aftertouch)
- Adjustable LFOs speed and depth
- LFO shapes: sawtooth, square, triangle, sine, sample & hold, ramp
- Destinations: OSC1, OSC2, OSC3, PWM / Wave / FM, Volume, Filter Cutoff
Oscillators (OSC1, OSC2, OSC3)
- Range from 64' to 1' with semitone and detune controls
- Shapes: sawtooth, square, triangle, sine, pulse (with pulse modulation)
- OSC1 with 66 original PPG Wavetables + Sample Player (60 Mb internal memory)
- FM (Tone generation): OSC2, OSC3 amount control - Oscillator hard sync (OSC2 to OSC3)
Mixer
- Volume and On/Off switch for each oscillator
- Noise generator: White/Pink - Volume control
Filter & Amplifier
- Slope (24/12 db) - lowpass, highpass, bandpass
- Resonance up to self oscillation
- Adjustable key track and drive
- Filter envelope - ADSR with amount control
- Amplifier envelope - ADSR with velocity control
- Proportional velocity control on Filter and Amplifier sections
Arpeggiator
- Latch mode
- Syncable to MIDI clock
- Direction up, down, alternate
- Range up to 10 octaves
