Through a rigorous R&D process spanning several years, Ibanez has reimagined the Dreadnought from the ground up, pursuing the height of rich sound, robust low end, and rich tone. This brand new body shape is called the Grand Dreadnought. Proportionally, the Grand Dreadnought body is 5% larger than a standard dreadnought, allowing for more volume, richer tone, and more powerful low end response. It's also extremely comfortable to play thanks to the extensive consideration given to its ergonomics.
After spending years of trial-and-error, Ibanez realized the out-of-the-box X-M Bracing to generate the ultimate sound standing out on the stage. The carefully designed scalloped X-bracing, the allocation of tone braces, and finger braces transmit the string vibration efficiently through the bridge to the body. The X-M Bracing creates the clear bottom and crispy treble sound with trimmed warm mid-range, yet provides a wide dynamic range and high response.
Its deep straight cutaway (from 18th fret) and shaved side enable amazing high fret access.
The newly designed headstock shape is the result of thorough research and investigation. Its tapered shape provides lighter weight, as well as a straight string alignment which enhances tuning stability and reduces any neck twisting effect.
The Ibanez AEQ-TP2 preamp provides the extra punch of on-board EQ along with a convenient and easy-to-read digital tuner and 2-band EQ, located on the instrument’s upper bout.
The Ibanez T-bar Undersaddle pickup accurately translates that full sound to whatever amplification system you plug it into.
These pins really are an advantage over old-fashioned pins. Advantage™ pins are easier to take out and easier to put in than standard pins. A special bulb-shaped end makes the pin easy to grip and also prevents the pin from being pushed in too far. Best of all, with Advantage™ the pin and string stay put.
| SPECS | |||
|---|---|---|---|
| body shape | Grand Dreadnought with Advanced Access Cutaway body | ||
| bracing | X-M Bracing | ||
| top | Solid Sitka Spruce top | ||
| back & sides | Sapele back & Sapele sides | ||
| neck | AAD Okoume neck | ||
| fretboard | Purpleheart fretboard | ||
| bridge | Purpleheart bridge | ||
| inlay | White dot inlay | ||
| soundhole rosette | Black & White multi rosette | ||
| tuning machine | Chrome Die-cast tuners (18:1 gear ratio) | ||
| number of frets | 20 | ||
| bridge pins | Ibanez Advantage™ | ||
| strings | D'Addario® EXP16 | ||
| string gauge | .012/.016/.024/.032/.042/.053 | ||
| string space | 11mm | ||
| factory tuning | 1E,2B,3G,4D,5A,6E | ||
| pickup | Ibanez T-bar Undersaddle | ||
| preamp | Ibanez AEQ-TP2 preamp w/Onboard tuner | ||
| output jack | Balanced XLR & 1/4" outputs | ||
| NECK DIMENSIONS | |||
| Scale : | 650mm /25.6" | ||
| a : Width | 43mm at NUT | ||
| b : Width | 55mm at 14F | ||
| c : Thickness | 21mm at 1F | ||
| d : Thickness | 22mm at 7F | ||
| Radius : | 400mmR | ||
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DESCRIPTION : Guitar Neck Diagram a: Width of the neck at the nut b: Width of the neck at the fret position specified by the neck dimension c: Thickness of the neck at the first fret d: Thickness of the neck at the fret position specified by the neck dimension Radius: Radius of the fingerboard | |||
| BODY DIMENSIONS | |||
| a : Length | 20 3/8" b : Width | 16 1/4" c : Max Depth | 5 " |
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DESCRIPTION : Guitar Body Diagram A: Length of the body B: Maximum width of the body C: Maximum depth of the body | |||
| PREAMP | |||
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DESCRIPTION : The neck side of the preamp is the top of the control panel. There is one button switch and three knobs towards the top of the control panel. The button furthest left is the tuner on/off switch. To the right of that are the bass, treble, and volume knobs. | |||
| OTHER FEATURES | |||
| Recommended Case | FS40DA
Recommended Bag IAB540-BK 
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